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Battle against soviet tanks at Jucourica
0photographs, maps and documents catalogued
0daily situation maps across eight operations
0manuscripts, battle plans and after-action reports
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German Official Photographs

With an aviation section, Western front

With an aviation section, Western front. German official photograph issued by Bufa, the Bild- und Filmamt, the German army's picture and film office. Bufa negative 11902.

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Our licences

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Our images are supplied under an access and service agreement rather than a copyright licence. Almost everything in this archive is a reproduction of a photograph, map or document whose copyright has long expired, and Piemags asserts no copyright in those originals. What you pay for is our high-resolution reproduction, the caption, date and keyword research attached to it, and our supply of both to you. Every agreement is worldwide and non-exclusive, with an instant full-resolution download.

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A collection is the entire accessioned body of images in the order they were taken or dated, with the battle guide, order of battle and timeline where we have them. From $149 for a collection of up to around 250 images, $249 up to a thousand, $399 above that.

Collections carry the Personal Use and Newsletters and Presentations terms only. Editorial publication or commercial use of images from a collection is priced separately — a single-image editorial licence, or an Archive Access agreement, covers those. This is deliberate: at well under a dollar an image, a collection is priced as a research resource, not as a cheap way to buy publication rights.

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Other libraries will sell you a full buyout: exclusive, perpetual rights, with the image withdrawn from sale. We do not offer that on this archive, and we would rather explain why than quietly leave it off the list.

You cannot grant exclusivity in something you do not own. The originals here are public domain: the same photograph may sit in a national archive, on Wikimedia, or in somebody else's collection, and nothing we sign can change that. A buyout would be selling you a promise we are not able to keep. Where we hold an image we actually own outright, that is stated on the image page and different terms apply.

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Editorial use informs, illustrates or educates — news, blogs, books, documentaries, teaching and research. It may not promote or advertise anything.

Commercial use promotes a product, service or brand, and needs an Advertising agreement, priced on application.

Duration and territory

Personal, presentation and business terms are worldwide with no time limit. Editorial terms are worldwide for five years from purchase, which is long enough for a book to go out of print.

Advertising is priced by the territories and the duration your campaign actually needs.

What it does not cover

No resale, redistribution or sub-licensing, and no uploading to another stock library. Merchandise, product packaging and mass production need a separate agreement.

Nothing here transfers ownership of anything, and nothing here restricts what you may do with a public domain original you obtain somewhere else.

Licensing FAQ

The questions we actually get asked

If the original is public domain, what am I paying for?

The work of finding it, scanning it properly, researching what it shows, and handing it to you in a usable state. A catalogued, captioned, dated, keyworded high-resolution reproduction is a different thing from a low-resolution copy of unknown origin found in a search engine. You are paying for that, and for the record group and accession number that let you cite the original with confidence. You are not paying for permission — the original needs none.

Do I own the image after buying it?

You receive the file and the right to use it under the terms you chose. You do not acquire copyright in the original, because there is none left to acquire, and you do not acquire any exclusive right against anybody else.

Can I post it on social media?

Yes, under the Online Editorial terms for ordinary and non-commercial posts. A post promoting a product, service or brand needs an Advertising agreement.

Can I use it in a documentary or a YouTube video?

For informative, historical or educational video, the Online Editorial terms apply. For sponsored content or business promotion, Advertising applies. Broadcast documentaries with significant reach are usually better served by an Archive Access agreement — ask us.

Can I use it in my company's internal materials?

Yes. Small Business Internal covers an organisation of up to ten staff; Large Business Internal covers any size. Both exclude external advertising and public-facing marketing.

Can I put it in a book?

Yes, under Newspapers, Magazines and Books — interior placement, any size, worldwide, five years. National or international circulation and cover use are priced on application.

Can I resell it or upload it to a stock library?

Not under these terms. Redistributing or reselling our reproduction, or adding it to another library, is not permitted. This is an agreement about our file and our research, and that is what it restricts.

Can I print it on merchandise?

Not under the standard terms. Merchandise and product packaging need a separate agreement — tell us what you have in mind.

Can I upgrade my licence later?

Yes. Move to a higher tier by paying the difference. Send us the image reference and your original order number.

Do you offer exclusivity or a buyout?

No, and we explain why above: the originals are public domain, so exclusivity is not ours to sell.

Need something this page does not cover?

We write custom agreements for film and documentary use, publishing programmes, exhibitions, high-volume distribution and ongoing archive access for researchers and production companies. Tell us about the project and we will help you license it properly.

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In this collection

From the collection

From the collection

See all the images in this collection →

Where it comes from

Provenance

What you get

In the download

    The complete collection

     

    The collections

    Every front, every year, every side

    Complete runs rather than scattered singles — the whole sequence of an operation, in order, so you can follow a campaign being fought rather than look at one frozen moment.

    Germany197 images · ready now
    1941

    Operation Barbarossa

    The advance into the Soviet Union — armour, wrecked columns, burning villages.

    See the collection$149
    Germany63 images · ready now
    c.1910–1918

    German warship postcards

    Battleships, cruisers and the first U-boats, with every German caption transcribed.

    See the collection$89
    United States
    Jun 1944

    Normandy: the build-up

    Landing ships, rhino ferries and the Sherman squadrons going ashore.

    Complete collectionComing soon
    United States
    Jun 1944

    Supplies over the beaches

    Barrage balloons, LSTs and the logistics of invasion, photographed from the air.

    Complete collectionComing soon
    Germany
    1942–43

    Lage Ost: the Eastern Front

    The OKH daily situation maps — 434 sheets, one for every day of the battle.

    Complete collection$249
    Germany
    1942–43

    The battle for Stalingrad

    The city fighting, the Kessel and the surrender, sheet by dated sheet.

    Complete collectionComing soon
    Mixed
    1914–1918

    Artillery of the Great War

    Heavy guns, tractors and gun crews on the Western and Eastern fronts.

    Complete collectionComing soon
    Mixed
    1914–1918

    Early military aviation

    Biplanes, observers and the first aircraft ever flown in anger.

    Complete collectionComing soon
    Mixed
    1914–1945

    Maritime and float aircraft

    Floatplanes, catapults and the ships that carried them.

    Complete collectionComing soon
    GermanySoviet UnionUnited StatesBritainCanadaFranceAustria-HungaryItalyJapan

    How every image is prepared

    Researched, dated and described — one image at a time

    A hundred thousand images gathered from the world's archives, then given the thing that makes them usable: a caption that says what they show, a date, and keywords that actually find them.

    A written caption on every image Each one identifies what it shows, where and when — researched and written, not carried over from the filename it arrived with.
    Thirty researched keywords Formation, operation, place, equipment and date, applied consistently across the whole archive, so a search for a corps or a village returns every sheet that mentions it.
    Marginalia read and transcribed The duty officer's pencilled notes are read and indexed. “Anhaltender reger Bahn-Verkehr” — continuing heavy rail traffic — is often the only surviving record of what was seen that night.
    Provenance stated on every page The originals are historical works. Piemags asserts no copyright in them, says so openly, and supplies the reproduction and the research under a plain access agreement — the terms on your receipt, and the source in the file itself.

    Lage Ost · 434 sheets · 17 July 1942 – 2 February 1943

    Watch the Eastern Front move

    Nine real sheets from the run, aligned to the same view of the Don bend and the Volga at Stalingrad. The front line you see is the one the German General Staff drew that evening. Nothing here is redrawn or reconstructed.

    OKH Lage Ost situation map, 25 July 1942OKH Lage Ost situation map, 7 August 1942OKH Lage Ost situation map, 22 August 1942OKH Lage Ost situation map, 9 September 1942OKH Lage Ost situation map, 1 October 1942OKH Lage Ost situation map, 19 November 1942OKH Lage Ost situation map, 12 December 1942OKH Lage Ost situation map, 31 December 1942OKH Lage Ost situation map, 10 January 1943
    German Soviet
    THE RUN 434 consecutive sheets North, Centre and South sheets for every day of the battle, from the opening of the Don bend fighting to the surrender in the ruins.
    THE SCALE 1:1,000,000 General Staff base The printed base map the OKH worked on, overprinted each evening in blue for German formations and red for Soviet.
    THE DETAIL Stamps, notes and gaps Chefsache security stamps, the red Verbleib unbekannt panel listing Soviet formations German intelligence had lost, and the duty officer's weather notes.

    Access

    One image, one campaign, or everything

    Instant download at full archive resolution, no waiting on an email and no watermark on what you have paid for. An account takes about thirty seconds and keeps every download you buy, so you can fetch it again whenever you need it.

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    01 · FINDSearch, don't browse Every image carries around thirty researched keywords, so a place name, a formation or a date brings back everything that matches.
    02 · CHOOSEPick the use, not the size Every licence delivers the same full-resolution file. You choose what you may do with it, and the price follows.
    03 · DOWNLOADImmediately, full size The file arrives at archive resolution with its caption, keywords, date and credit already written into it, and no watermark.

    What you are licensing

    The document is history. The scan is the work.

    The original photographs, maps and papers are historical works and Piemags asserts no copyright in them. What you buy is our reproduction and the research attached to it — the caption, the date, the keywords and the transcription — supplied under an access and service agreement rather than a copyright licence. That position is stated on every page and printed on your receipt, so there is never any doubt about what you have bought.

    Read the full licences and usage page →

    Schools · Colleges · Universities · Libraries

    Two world wars, in one archive, for everyone who teaches from it

    One payment a year. Photographs, situation maps, staff documents and reports from 1914 to 1945, available to every member of staff and every enrolled student, anywhere in the world, at full teaching resolution and with the caption, credit and rights status written into each file.

    80,000+Photographs and maps Scanned from the originals, catalogued individually, and added to the published archive collection by collection.
    3,300+Documents and reports Staff reports, technical assessments and wartime studies, supplied as searchable PDFs so a class can read the text and search it.
    130+Collections Grouped by campaign and by theme, from the Isonzo in 1915 to Leyte Gulf in 1944.

    What is in it

    Original material from both wars, not a picture library

    Every item is catalogued individually: a written caption, researched keywords, a date where the document carries one, and a reference number that can be cited. Collections are catalogued and published in turn, and everything added during your subscription year is included at no extra charge.

    1914 – 1918The First World War German official photographs issued by Bufa, the army's picture office, with their original catalogue cards. British and Commonwealth photographs. The Austrian campaigns on the Isonzo and in Dalmatia. Verdun in 1916. Early military aviation, French and German. Imperial German Navy postcards.
    1939 – 1945The Second World War Poland in 1939. The campaign in the West in 1940. Barbarossa and the Eastern Front. Rommel in North Africa. Normandy and the advance across France. The bomber war. The Pacific. War correspondents' photographs and the official photographic record of the German state.
    MAPSSituation maps and atlases Daily situation maps from both sides — the German High Command's own Lage Ost and Lage Nordafrika sheets, Army Group North's operational atlases, Twelfth Army Group and SHAEF order-of-battle maps, and operational maps of the Maginot Line and the Westwall.

    Some collections carry difficult material — the camps, the ghettos, the dead, and the propaganda apparatus of a dictatorship. It is reproduced with its original captions and without editorialising, and the catalogue describes what an item shows so a teacher can make the decision before it is on the screen.

    What it costs

    One fee for the institution

    No per-seat charge, no download limit, and no charge for material added during the year. Invoiced against a purchase order, payable in thirty days. Institutions outside the United Kingdom pay the same fee in sterling.

    SCHOOL£180

    One school or sixth form. Every member of staff and every enrolled pupil, in class and at home. Classroom, learning platform and examination use.

    Ask for a quote
    COLLEGE, LIBRARY OR MUSEUM£360

    Further education colleges, public libraries, museums and county archives. Adds on-site access for visitors, exhibition use on your own premises, and interlibrary supply of single items.

    Ask for a quote
    UNIVERSITY£720

    Universities and research institutions, every department and every campus. Adds dissertations, theses and repository deposit, course packs, and academic publication with credit.

    Ask for a quote

    Multi-academy trusts, school groups and library consortia are priced for the group — one agreement, one invoice — or can be taken school by school, whichever suits your budgets. A thirty-day trial with full access is available before any commitment.

    What you may do with it

    Written to cover what teaching actually involves

    If something you need is not listed here, ask. The answer is usually yes.

    Included

    • Display and teach from any item, in class or online
    • Teaching slides, handouts and worksheets
    • Recorded lectures, where access is limited to enrolled students
    • Upload to a learning platform behind your institution's login
    • Printed and digital course packs
    • Examination papers, mark schemes and assessment materials
    • Student essays, projects and coursework
    • Undergraduate and postgraduate dissertations and theses
    • Deposit of a completed thesis in your institutional repository
    • Academic conference and seminar presentations
    • Displays and exhibitions on your own premises
    • Your website and social media, up to 1200 pixels, with the credit shown
    • Non-commercial student publications

    Not included

    • Anything sold, or published commercially
    • Prospectuses, open days, recruitment and fundraising campaigns
    • Ticketed or touring exhibitions
    • Passing files to anyone outside the institution
    • Resale, sub-licensing or transfer of the subscription
    • Bulk downloading to build a separate collection
    • Text and data mining, or training artificial intelligence models
    • Removing the credit or the metadata written into the file
    • Altering an item in a way that changes what it shows

    Work already made stays made. An essay, thesis, article or course pack produced during the subscription can be kept and used afterwards without limit. Copies held on a learning platform are removed when the subscription ends, unless they form part of a completed student submission.

    What you take away

    Files you keep, not a stream you lose

    Every download carries its caption, keywords, credit and rights status inside it — readable in Lightroom, Bridge, Photoshop, Windows Explorer and Finder.

    01 · ITEMSAny single item Any photograph, map sheet or document at full archive resolution, exactly as it was scanned — no crops, no downsampling and no watermark. The same file a publisher buys.
    02 · COLLECTIONSWhole collections A complete collection in one download, folder and catalogue included, so a department can hold the whole run on its own drive and teach from it offline.
    03 · MAPSMaps you can read The situation maps are large sheets and they arrive as such, so the place names, the unit symbols and the duty officer's pencilled notes are all legible — and a sheet can be printed at wall size for a classroom.

    Where these come from

    What you are actually paying for

    Stated plainly, because a school or a university library has to be able to answer this question before it can buy anything.

    No copyright is claimed These are digitised copies of historical documents. The originals are old enough that copyright in them has expired or was never asserted, and no claim of copyright is made over the originals or over the scans. A faithful reproduction of a flat historical document is unlikely to attract a new copyright in the United Kingdom, and we do not pretend otherwise.
    The fee buys the archive The digitisation, the cataloguing, the research behind every caption, the search that finds them and the support that answers your questions. It is an access and service agreement, not a copyright licence.
    Rights status, item by item Recorded per item rather than asserted across the whole collection. Where an item's status is uncertain the record says so. Where a third party holds rights in something reproduced within an item, that is stated.
    The law already permits Nothing in this licence restricts anything the law allows. Section 32 of the Copyright, Designs and Patents Act 1988 permits fair dealing for illustration for instruction, expressly including the setting and answering of examination questions. That is yours by statute and this licence does not touch it.

    The credit is the one thing asked in return, in every use including social media: [Title], [date]. The Wartime Archive, ref. [reference]. wartimearchive.com

    How to buy

    Built around how institutions actually pay

    Rather than around a card checkout.

    PURCHASE ORDERSend a PO, get an invoice The invoice quotes your PO number. Payment terms are thirty days, and payment is not required before access.
    INVOICINGPiemags Ltd Registered in England and Wales, company 11786963, Bridgend. Bank details on the invoice for BACS.
    OUTSIDE THE UKW-8BEN-E supplied A completed W-8BEN-E goes out with the first invoice for United States buyers, so your finance office can set us up as a supplier.
    ACCESSSign-in or IP range By institutional sign-in, or by IP range so anyone on your network is recognised without a password. Staff and students get access from home.
    SOLE SUPPLIERLetter on request This material is not available from any other supplier. A signed sole-source letter is provided for procurement files.
    TRIALThirty days, full access No payment details taken and nothing to cancel. Ask a colleague to teach a lesson from it before you decide.

    Request a trial or ask for a quote →

    Questions

    The ones institutions ask first

    Who counts as a user?

    Everyone employed by the institution and everyone enrolled on a course, including part-time and distance students, and anyone teaching your students under contract. For a college, library or museum it also covers members of the public using the collection on your premises. It does not cover alumni or the general public off-site.

    Can a student put one of these in a thesis that goes online?

    Yes. A completed thesis can be deposited in your institutional repository, including an open repository, with the credit shown. Most image licences refuse this and it causes real difficulty at submission, so it is granted here rather than left to be argued about.

    What resolution do we get?

    Full archive resolution, the same file a publisher or a broadcaster buys — no crops, no downsampling, no watermark. There is no reduced education version and nothing is held back for a higher tier. A map sheet can be printed at wall size; a photograph will take a full page at print quality with room to spare.

    What happens when the subscription ends?

    Access to the archive stops. Anything already made with it — essays, theses, articles, printed course packs — can be kept and used without limit, permanently. Files held on a learning platform should be removed within sixty days, unless they are part of a student's completed submission.

    Is there a limit on downloads?

    No. A department can download an entire collection on day one.

    We are one school in a trust. Can the trust buy it for all of us?

    Yes, and it is cheaper per school. One agreement, one invoice, every school in the trust covered. It can also be bought school by school if that suits your budgets better.

    Does the archive keep growing?

    Yes, and everything added during your year is included at no extra charge. The holdings run to more than eighty thousand photographs and maps and over three thousand documents, and collections are catalogued and published in turn. Nothing goes up until it is catalogued to the same standard: a written caption, researched keywords, a date where the document carries one, and a citable reference.

    Can we get a collection that is not published yet?

    Ask. The holdings are far larger than the published catalogue and the cataloguing order is not fixed. Subscribers get first call on it, so if you need the North Africa maps for a module starting in January, that is a reason to catalogue them next.

    Some of this material is difficult. How is it handled?

    The collections include photographs of prisoners, of the dead, of the ghettos and of the propaganda apparatus of a dictatorship. They are reproduced with their original captions and without editorialising, because that is what an archive is for. Teachers know their own classes; the catalogue describes what an item shows so the decision can be made before it is on the screen.